SYDNEY (Hollywood Reporter) - Marvel Universe moves in the cosmic domain with "thor", a burly bombastic superhero entertainment slab which skitters everything just on this side of kitsch to provide an introduction to account for the mighty God of Thunder.
It is a noisy spectacle, the din of the universe full of noise and fury with a design properly epic, solid digital effects and a healthy respect for the lore of comic-book a mythological Nordic God became a founding member of the team of superheroes called The Avengers.
Converting large arrogant Warrior Thor, Central plot, is unrealistic lightning-quick and dramatic arc of the film falters amid constant travel between the terrestrial and celestial realms. But executions in the Marvel Studios, playing heavily on the success of "thor" and upcoming "Captain America: The first vengeful" configure all behemoth next summer "the avengers," can rest easy: you constructed and they will come. They can even bring a date.
"Thor", the first in the world to Sydney on Sunday, opens its doors to various foreign markets before its in North America on 6 may, through Paramount arc.
Ultimate access to the fantastic world of Thor is due in large measure to the Directorate jovial Kenneth Branagh, a man with an exciting history who knows his way around an epic tale and a tour of star-making Chris Hemsworth.
As protagonist wielding hammer who learns humility in humans, the little-known Aussie SOAP Star (last briefly considered father of Captain Kirk on the restart of "star trek" J.J. Abrams) shoulders the burden of the sale of that participant of $ 150 million in the Marvel franchise in full expansion.
Branagh can pass on a noble intellect to the Shakespearian interaction of enemy fathers and sons and was Anthony Hopkins and Natalie Portman the gravitas actorly. But the 6-foot-3 Hemsworth adds winning ingredients, bearing a Viking lusty charm at its rumbling Olde English line readings, an impressive physicality and biceps that appear to be forged in a furnace. In truth, it sheared off.
Thor crashes underway in sorry New-Mexico desert, stretching his face planted inelegantly against the windshield of a RV led by scientist of hunting to the storm of Natalie Portman Jane Foster.
: Jane, his mentor Professor Andrews (Stellan Skarsgard) and sidekick Darcy (Kat Dennings, "Nick and Infinite Playlist of Nora," along purely for comic relief) puzzle on its provenance, we whip back in time and space for the floating Kingdom of Asgardwhere the father of Thor Odin (Hopkins), the ruler of all the nine kingdoms, fills decades of history back in voiceover.
This is heavy stuff, made especially would by Patrick Doyle somewhat overwhelming score, and fortunately, there is someone of caliber Hopkins to deliver it.
Thor is about to inherit the throne of the Odin ill and aged when an unexpected incursion by the enemies of long date Asgardiens, the giants of Jotunheim Frost, disrupts the coronation.
The powerful God of Thunder, foe all the demons, suddenly made a very good impression of a toddler throwing a tantrum in a supermarket aisle. Angry recklessness is still more terrible consequences: peace and stability of the universe is threatened.
A furious Odin strip Thor of his powers and banishes him to Earth, leaving half-brother of Thor and Thor then Loki in line to the throne with the task of establishing himself worthy again brandishing his magical hammer Mj?llnir.
The scenes between the three senior immortals in the sky were a stunning intensity - Tom Hiddleston as the jealous Loki and entanglement manages the intimate scenes with particular aplomb - and scenes gra?e can not help but seem flat by comparison.
Back in the desert, we obtain certain fish-out-of-water solidly fun antics as the mighty Thor struggles to adapt to its mortality and a world of Facebook and iPods, but writers Ashley Edward Miller, Zack Stentz and Don Payne, a history of effective origin work by j. Michael Straczynski and Mark Protosevichhave their eyes on a greater price.
It is the love of a good woman who feeds the life of Thor lesson in humility and humanity and astrophysicist Portman makes short conversion of Thor; too short, some will say, but there is a lot to cram here and we have not yet had to this oddly out-of-place preview of Jeremy Renner: The Avenger Hawkeye.
The pinballs action between Asgard, the planet of ice sorry of Jotunheim and the Earth, where an officer Manfilms of iron Shield (Clark Gregg) is making it difficult for Thor to retrieve his magical hammer and save human beings and the Kingdom of Asgard of the forces that would destroy their.
Bo Welch has created some amazing drawings with the Observatory of Heimdall, the sky portal that connects the different kingdoms, a particular triumph. Full-throttle battle scenes and the stunt work together organic feel, although the too frequent use of Branagh on inclined angles and an unusual sequence of slow-mo are simply distracting.
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